The the melodic minor scale had been developped. In a downward melodic formula the leading tone was not needed and so This was only needed when the melody was leading upward to the upper octave. So to become a more "natural" ending and easier to sing (for instruments it didn't matter) but also for listening they augmented the 6th degree too. What's more, if I change them to D it sounds off key and if I change them to E it just sounds wrong for what the melody is supposed to be doing.īy augmenting of the seventh degree was a gap of 1+1/2 tone between the 6th and the 7th degree: in e-minor between C-D#. This was the "invention" of the harmonic minor scale. ![]() I had accidentally placed D# notes in several of my melodies.Īs you will see you are not the first that The human mind already in earlier times of music history obviouly wanted to have a tension to the final note (the root) and so they constructed a leading tone by augmenting the 7th degree. So you are writing a piece in e-minor and obviously you know what is e-minor, you know the scale of e-minor is and you know that there are D and D#. ![]() I tried to look around for an answer to this problem but don't know how to ask the proper question in a search engine.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |